Princess Mononoke blew my mind. And as I read about Miyazaki himself I thought: here is a kindred spirit. I thought I’d try teaching a course on Miyazaki, not sure if I could sustain a whole semester just about his work—and then I found, there’s way more than a semester’s worth to talk about. After teaching about Miyazaki for a few years, I had to write it all down. Some reviews of my book say my essays are personal, and it’s true, for better or worse—it isn’t about Studio Ghibli or the production process or even about Japan—it’s my reflections on these great films.
In Miyazaki’s films, what is “the moral of the story?” What’s the message? What kind of people do we become, when we are watching a Miyazaki film? Why do fantastic stories matter in the real world? This book is a series of personal and philosophical reflections on the 10 major works, from Nausicäa to Wind Rises. Miyazaki’s films suggest how we can find meaning in our work; how to retain our creativity even when are tired of the job; and how we can hold true to our dreams when our dreams are compromised. The films lament the loss of the sacred in modern life but never give up hope. They address problems of growing into a new maturity while retaining the good things of childhood.
This is an excellent “life in art,” or a series of chapters on the major works in a biographical context.
Napier discusses such questions as: his feelings about the fact that his family profited from the war, making fan belts for fighter planes; his feelings about his father compared to his mother; the relation of the works to his professional life—the studio, his collaborators, his periodic burn-out and work ethic.
The story of filmmaker Hayao Miyazaki's life and work, including his significant impact on Japan and the world-"an essential work in anime scholarship." (Angelica Frey, Hyperallergic)
A thirtieth-century toxic jungle, a bathhouse for tired gods, a red-haired fish girl, and a furry woodland spirit-what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl's Moving Castle, and The Wind Rises.
Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese…
This is an excellent general review of the films from Castle of Cagliostro to Princess Mononoke, including plot outline, character studies, technical notes, and appreciations of the films. She is very insightful about the artistic technique. And there’s an interesting chapter at the end about Miyazaki merchandise. This would be a good starting point for a fan.
Anime is a huge market, and this is the exclusive, definitive book on the leading master of Japanese animation today, Hayao Miyazaki. Disney has licensed the Miyazaki line (e.g., Kiki's Delivery Service ) and plans another major release this summer. This book supplies informed discussions of style and narrative for each of Miyazaki's major films, with all the data and detail fans want.
These are collections of writings by Miyazaki in translation: interviews, essays, production notes, doodles, and even poems. These are sometimes directly related to the films, and sometimes on general themes such as artistic integrity, the environment, and contemporary Japan. You get a picture of Miyazaki: deeply thoughtful, ethically engaged, and playfully child-like. Plus, lots of cool illustrations. The second volume goes up through Howls’ Moving Castle.
A hefty compilation of essays (both pictorial and prose), notes, concept sketches and interviews by (and with) Hayao Miyazaki. Arguably the most respected animation director in the world, Miyazaki is the genius behind Howl's Moving Castle, Princess Mononokeand the Academy Award-winning film, Spirited Away.
This short book is a detailed study of just one great film, scholarly but without jargon.
Along the way, he points out many details I had missed. He also demonstrates the connections of Spirited Away to Miyazawa Kenji’s Night of the Milky Way Railway, and other sources and inter-textual references. Very interesting and revealing.
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in…
Whereas my book is about the ideas that come out of the films, this book is on the philosophy of Miyazaki himself, based on his writings and interviews. It is organized not by film or chronology, but by themes, such as Time, Space, Vision, and my favorite, “The Courage to Smile.” She describes the director’s picture of the world and uses the films as illustrations. The book has certain fannish qualities, but is enriched by a creative selection of contemporary philosophers.
Hayao Miyazaki has gained worldwide recognition as a leading figure in the history of animation, alongside Walt Disney, Milt Kahl, Tex Avery, Chuck Jones, Yuri Norstein and John Lasseter. In both his films and his writings, Miyazaki invites us to reflect on the unexamined beliefs that govern our lives. His eclectic body of work addresses compelling philosophical and political questions and demands critical attention. This study examines his views on contemporary culture and economics from a broad spectrum of perspectives, from Zen and classical philosophy and Romanticism, to existentialism, critical theory, poststructuralism and psychoanalytic theory.
Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually made it big with groundbreaking titles like Daredevil and Crime Does Not Pay.
Brett Dakin, Gleason's great-nephew, opens up the family archives—and the files of the FBI—to take you on a journey through the publisher's life and career. In American Daredevil, you'll learn the truth about Gleason's rapid rise…
American Daredevil: Comics, Communism, and the Battles of Lev Gleason
Gleason was a titan among Golden
Age comics publishers who fought back against the censorship campaigns and
paranoia of the Red Scare. After dropping out of Harvard to fight in France,
Gleason moved to New York City and eventually made it big with groundbreaking
titles like Daredevil and Crime Does Not
Pay.
Brett Dakin, Gleason's great-nephew,
opens up the family archives-and the files of the FBI-to take you on a journey
through the publisher's life and career. In American Daredevil, you'll learn the
truth about Gleason's rapid rise to the top of comics,…
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